It's a good practice to judge your representational artwork based on your drawing, the values and the edges/perspective. I think a skillful drawing is a foundation of a pleasureable artwork. My charcoal drawing process is basically drawing the piece at least 4 times. After the vine charcoal, I start rendering the image with 2B charcoal. I find with charcoal that I almost always alternate charcoal and stump, or sometimes, just draw with the stump for soft markings. Again, always comparing the relationships between shapes, values, etc. |
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A.) Instead of drawing bold contour lines, I prefer creating edge lines by sketching the darker area next to the lighter area; the lines are not so hard and distracting. It's difficult to avoid drawing bold lines though, but I try to minimize as much as possible. B.) Remember to soften your edges with the stump, especially when drawing flesh. C.) For defining veins, I prefer to sketch the darker parts instead of just one line and then go over it and softened with a stump. While sketching your lines, always keep in mind the shapes of what your doing. For instance as in image C, the sketch lines I did for the veins follow a tubular shape to give that illusion of veins under flesh, especially after you soften those lines. |
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